![]() To see examples of these projects, and learn more about the Foundation’s commercial licensing program, please visit For rights and reproduction requests please complete our Image Request Form. ![]() Some highlights include projects with Comme Des Garcons, Levi’s, Tommy Hilfiger, Vilac, and Adidas. If the artist is unknown and new to licensing, the royalty rate might be on the lower end of the scale. We are looking for talented artists to license and publish. The Foundation works with a broad range of product manufacturer and marketers. Revenues generated through licensing support the Foundation’s grant making activities. The purpose of Ancilliary licensing is to compensate for all other manner of reproductions of musical works. It takes extraordinary skill, talent, and hard work to write and publish songs. Ancillary licensing is the licensing of Online Radio, In-Store music, Jukebox and all other licensing areas which do not fall under the categories above. A song becomes valuable the second it’s created. The Foundation is committed to continuing Keith Haring’s desire to make his work accessible to a wide audience and to perpetuate the dissemination of his images in academic and popular culture through books and catalogs, editorial reproductions, products, and promotions. A SOCAN music license gives organizations and individuals the freedom and flexibility to use virtually any music they want for their business or at their event. Any intended use of Keith Haring artwork must be cleared and authorized by the Keith Haring Foundation in advance of its use. The Foundation oversees the reproduction of Keith Haring artwork and protects its intellectual property against unauthorized use. The Keith Haring Foundation owns the international copyright to artworks created by Keith Haring. Experienced licensed artists know this and work hard to develop strong relationships with their clients that last for years. This lack of understanding has often led to disagreements between buyers and creators and, in some cases, costly legal disputes over what each party believes they own. I ASSUMED, AFTER ALL, THAT THE POINT OF MAKING ART WAS TO COMMUNICATE AND CONTRIBUTE TO CULTURE. On top of that, the rights granted to the buyer or retained by the creator can differ depending on the type of artistic work involved. ASCAP does not license dramatic performances, but The Rodgers and Hammerstein Organization does. A dramatic performance of a work can be anywhere from a performance of an entire dramatic work, such as a musical, or a concert of a few of an artists songs. ![]() THE USE OF COMMERCIAL PROJECTS HAS ENABLED ME TO REACH MILLIONS OF PEOPLE WHOM I WOULD NOT HAVE REACHED BY REMAINING AN UNKNOWN ARTIST. Some of these companies do not license dramatic performances of works, and some do.
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